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5.0分全12集主演：段奕宏,王锵,张佳宁,张瑶,杨新鸣,黄小蕾,郑好,郑楚一,李春嫒,胡晓光,鲍鲲,土豆,黄婷婷,迟蓬
9.0分全10集+番外02集主演：川口春奈,松村北斗,田中圭,长滨祢留,JIRO,户塚纯贵,香音,东野绚香,桥本爱实,浅野堇,濑户朝香,横田真悠,中田久留美,稻垣来泉,八木亚希子,光石研,板谷由夏,中尾明庆,森迫永依
7.0分第7集完结主演：傅孟柏,邵雨薇,市原隼人,李国毅,田中千绘,周晓涵,喜翔,徐钧浩,林在培
1.0分正片主演：金雅娜,邵帅,于波,杨明娜,何沐荣,宋来运,李茉莱,孙蛟龙,张浩承,刘萨萨,朱剑锋,贾兴龙,班嘉佳,杨能
2.0分正片主演：阿尔菲·艾伦,布伦特·吉尔曼,艾什莉·本森,安东尼·卡里根,崔西·莱茨
8.0分正片主演：Amphol,Lumpoon,Patravadi,Sritrairat,Rewat,Buddhinan,Wasamon,Watharodom
6.0分正片主演：P!nk,卡雷·哈特,Willow,Sage,Hart
6.0分正片主演：Nathasit,Kotimanuswanich,Gena,Desouza,Pramote,Prathan,Todsapol,Maisuk
6.0分全8集主演：杰姆·耶尔马兹,爱兹各·莫拉,妮丽帕莱.莎音卡亚,Uraz·Kaygılaroğlu·Uraz·Kaygılaroğlu,Bülent·Sakrak·Bülent·Sakrak,Tarkan·Tarkan
9.0分正片主演：菲利斯·洛根,Giovanni,Mauriello,Denise,Coffey,Tom,Watson,Gianluca,Favilla,格莱格·费什尔,Paul,Young,Claudio,Rosini,Jennifer,Piercey,Yvonne,Gilan,Colin,Campbell
4.0分正片主演：瓦尔特·梅尔卡多,Willy,Acosta,林-曼努尔·米兰达,Raul,de,Molina,欧赫尼奥·德尔维斯,Betty,Benet,Mercado,Ivonne,Benet,Mercado,Nydia,Caro,帕洛玛·莫拉莱斯,Bill,Bakula,Lawrence,Edwin,Maria,Gladys,Garcia,Bobby,Gilardi,Elizabeth,Gomez,Evelio,Gomez,Inez,Gomez
7.0分全8集主演：Ori,Shani,Bar,Gottfried,Lea,Tonic,Stav,Almagor
1.0分更新至07集主演：Ori,Shani,Bar,Gottfried,Lea,Tonic,Stav,Almagor
10.0分正片主演：吉拉·阿尔玛戈,Gila,Almagor,艾利·柯恩,Eli,Cohen
9.0分更新至11集主演：Sarwat,Gilani,Yasra,Rizvi,Nimra,Bucha,Mehar,Bano
2.0分更新至1集主演：Sarwat,Gilani,Yasra,Rizvi,Nimra,Bucha,Mehar,Bano
5.0分HD主演：GilAlma,AureAtika,FranoisCreton,GuillaumeDepardieu,露易萨皮里,妮可·加西亚,Sarah-Laure,Estragnat,奥雷·阿蒂卡,吉约姆·德帕迪约
3.0分正片主演：索菲柯·齐阿乌列里,米尔克·阿尔克桑亚,维勒·加尔斯特亚,高吉·格吉奇科里
10.0分正片主演：威廉·霍尔登,欧内斯特·博格宁,罗伯特·瑞安,艾德蒙·奥布莱恩,沃伦·奥茨,比尔·哈特
8.0分正片主演：弗农·多布切夫,布鲁克·威廉姆斯,凯特·伯顿,伊丽莎白·康塞尔,詹妮薇芙·布卓,伊丽莎白·泰勒,哈里·弗雷德尔,T·P·麦肯纳,艾琳·帕帕斯,尼古拉·佩吉特,丹尼斯·奎利,约翰·科里考斯,安东尼·奎尔,迈克尔·霍登,彼得·杰弗里,威廉·斯夸尔,埃斯蒙德·奈特,西里尔·勒克姆,Anne·Tirard,理查德·伯顿,瓦莱丽·吉伦,Joseph·O'Conor,诺拉·斯温伯恩,Kynaston·Reeves,Rita·Tobin-Weske,Katharine·Blake,加里·邦德,Liza·Todd
9.0分正片主演：桑迪·丹尼斯,迈克尔·伯恩斯,苏珊·本顿,大卫·加菲尔德
9.0分正片主演：桑德拉·莫扎罗夫斯基,Inma·de·Santis,Ramón·Corroto,María·Fernanda·D'Ocón
1.0分正片主演：德克·博加德,英格丽·图林,赫尔穆特·格里姆,赫尔穆特·贝格,雷诺·韦尔莱,翁贝托·奥尔西尼,赖因哈德·科尔德霍夫,阿尔布雷希特·舍恩哈尔斯,弗洛琳达·布尔康,诺拉·里奇,夏洛特·兰普林,伊琳娜·万卡,Karin,Mittendorf,Valentina,Ricci,Wolfgang,Hillinger,彼得·戴恩,卡尔-奥托·阿伯提,约翰佛雷德里克,克劳斯·赫内,恩斯特·库尔,埃丝特尔·卡洛尼,杰西卡·杜布林,皮耶罗·莫尔贾,阿尔·克里弗
3.0分正片主演：沃尔特·比达特,格拉谢拉·博尔赫斯,Nora,Cullen
9.0分正片主演：多米妮克·桑达,Guy,Frangin,Jeanne,Lobre,Claude,Ollier,Jacques,Kébadian,Gilles,Sandier,多萝泰·布兰克
当前页面来自:芳心封鎖在线免费观看http://www.shangshandianqi.com/xcyydt/147285.html
《芳心封鎖》首次在以色列发行并上映，电影类型归属为剧情片，影片播放耗时为：3分钟，观众对于该片的喜爱热度为400 分，最近一次更新时间为：2025-04-03 10:45:01，片源的清晰度或最新集数为：(正片)，在1969年上映至今获得了业界影视爱好者的广泛好评，影片发音语种以希伯来语进行交流叙述并且配以中文双字幕，豆瓣观众评分：8.0分，由著名导演Gilberto,Tofano倾力打造该影片，Gila,Almagor等进行领衔主演的经典剧情片。 The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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